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As
we peek
through the narrow opening into the side of the pipe chamber we see the
chimes in the back. The hammers which strike the chimes are at the top.
Crawling into the chamber without hitting the chimes is next to
impossible! |
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Sandwiched
between the big Viola pipes and the chimes are the small pipes of the
8' Viola Celeste rank. The Viola Celeste rank was an addition to the
original three rank instrument. Note the colorful tuning slides on
these pipes which were
made from pop cans and it looks like a Krylon can as well. |
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Here's
another view of the Viola Celeste rank. This voice is actually made up
of two ranks of pipes with one rank tuned slightly sharp, producing a
slightly wavering pitch. This is one time you want pipes to be out of
tune! Click here
to listen to a sample of what it sounds like. |
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Here
we
see that several of the pipes have been mitered so that they fit in the
small space. The pipe on the left is from the Gedeckt rank, extended
down to 16' feet for the Bourdon stop. The
pipes behind it are from the Viola rank. Note how the pipes in back
fold over in a U shape. |
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Here
is
a better view of the big pipe. It's Physics wave theory at
work
which allows the pipe's shape to be altered but not affect the pitch.
Putting a cap on the end doubles the fundamental frequency or pitch of
the pipe. So this 8' long pipe speaks at the 16' length pitch. A capped
pipe is generally less powerful than a full length pipe.
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Here's
another look at some of the mitered pipes in the organ.
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This
gives us a view from inside the chamber looking out into the
room, illustrating just how small the chamber really is. In the
foreground are the 8' Viola pipes. |