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On
the side furthest from the stage we have the ranks of pipes. On the far
left is the Clarion, somewhat out of view is the Plein Jeu mixture,
then the Flautino, Octave, Geigen Diapason (left of the wood pipes),
Melodia (wood pipes), Oboe (right of the wood pipes) and Trompette.
Note the subtle difference in pipe construction between the Oboe and
Trumpet. Both are reed pipes with a flared top, the difference is that
the oboe is narrow in the middle while the Trompette has a more gradual
taper. |
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Here's
a better view of the ranks up front. From left to right are the
Clarion, Plein Jeu (four rows of short pipes), Flautino, Octave and
Geigen Diapason. The expression shutters are just out of view to the
left. |
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Right
next to the
entrance to the chamber is this offset chest of the Voix Celeste rank.
These pipes produce a softer distinctive tone meant to somewhat mimic
the sound of a set of orchestral strings.
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Against
the back
wall are the "basses" or bottom notes of several ranks of pipes. The
wood pipes are of the Melodia rank, the pipes with the green
felt
are from the
Rohrbourdon rank. Immediately behind the wood pipes are of the
Geigen Diapason rank, then the skinny pipes behind the
pipes with green felt tops are of the Clarinet
rank. On the far right are the Flute Celeste and Gambe Celeste
ranks. |
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Resonators
for the bottom two pipes of the Clarinet rank stick out of the pipes.
The metal wire is used to tune the pipe. |
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Closer
to the stage
are these ranks. On the right is the Clarinet, Rohrbourdon (green felt
tops), Gambe, Voix Celeste, Spitzflotete, Gambe Celeste and Salicional. |
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Here's
a better view of things up front. On the far left is the Vox Humana,
Flute d'Amour (wood pipes), Flute Celeste, Salicional (darker tuning
slides), Gambe Celeste and Spitzfloete. |
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In
front are the funny looking pipes of the Vox Humana rank. Literally
meaning "human voice" it is intended to mimic the human voice singing,
though many would say it rarely accomplishes this feat. The Vox Humana
on a theater organ often sounds more airy, while the classical version
sounds thinner like a string rank. Pipe construction also varies.
Compare the above photos to the Vox Humana rank on the Ohio Theatre's
Robert Morton organ which can be found here. |
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Bass
pipes against the back wall are framed in this photo by some of the
other pipes in the chamber. Differences in size and construction are
clearly evident in this photo. Also note the vertical ladder on the
right side which leads to the Choir Division above. |
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Under
the pipes are the two wind reservoirs for this division. In the photo
on the right, the big pipe on the right is the air input from the
blower. The pipe on the left leads to the other chest shown in the left
photo. The pipes out lead to the offset chests for the basses. Note the
difference in whiteness in the leather color between the two chests.
The chest on the right is definitely in need of releathering. |