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The
console
for
this organ is much smaller in width than most organ consoles. In fact
it's not much wider than a standard upright piano (minus the pedal
board). The console sits on a platform which can be
easily moved around the altar area. By comparison, the old organ's
console sat on a fixed platform covered with "ugly shag carpeting." The
gray cable on the left is the
control cable from the console to the pipe chamber. |
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Here's a good view of
what the organist sees
when sitting at the console. Most organ consoles have only 61 keys
instead of the full 88 keys on a piano. In the center are couplers
which couple divisions of the organ together on each manual or
keyboard. Normally, the Swell division would be played on the top
manual, and the Great division would be played on the bottom manual.
Selecting a coupler brings the resources of both divisions to the same
manual. Most of the buttons under the keys are replicated at the bottom
with toe studs, thus allowing the organist to select via hand or foot. |
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The
stop knobs
on this organ are tiered in a stair step format rather than being even
on a panel. Each level represents a division of the organ (Swell,
Great, Pedal). Also note how the names of the stop knobs are angled
toward
the center of the console for easy viewing by the organist. These stop
knobs are on the left side of
the console. |
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Here
are the
stop knobs on the right side of theorgan console. Note that the
Cymbale and Mixture stops have two roman numerals next to them. This
indicates the number of ranks of pipes in the stop. For example, the
Mixture IV-V stop has five ranks meaning that pressing one key on the
manual or keyboard will play five pipes. However it drops a rank
probably at either
end of the scale, thus the notation IV-V. Also note the two blank stop
knobs, thus allowing for some expansion of the organ. |
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Like
most
organs, this organ has indicators for Expression (Swell) and Crescendo.
The photo shows full scale for the Expression meaning that the Swell
shades are completely open. The Crescendo is dark indicating that the
Crescendo pedal is not being depressed. |
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Here's something J.S.
Bach would not
recognize on the organ! The computer system shown here allows the
organist to do a number of things. First, multiple organists can
maintain their preset registrations in memory (currently "Guest A"
organist is selected). The organ also has four programmable crescendos
meaning that the organ can be programmed to add stops in the sequence
as desired by the organist. Another feature is the ability to transpose
on the spot. Instead of the organist transposing the music on the organ
to a higher or lower key, the organist can select the transpose
function and move the knob to switch to a higher or lower key. So if
the organist moves the knob to one step lower, pressing C on the organ
will result in the note B being played by the organ. |
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Down below we see the
pedal board (most of
it), toe pistons and the expression and crescendo pedals. The most
obvious thing to note is that the normally "black" pedal keys are
white. This should not be an issue to the organist since technically
the organist is not supposed to look at their feet while they play,
apparently relying on the feel of the pedals keys to know where they
are on the pedal board. |
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Here are the General
toe studs or pistons on
the leftside of the organ console. These perform the same function as
the buttons on the manuals and allow the organist to preset a desired
registration (selected stops) in advance. Pressing the toe stud will
change the registration to the preset. The S/G toe stud is a coupler
which couples the Swell division to the Great division. |
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On the right side of
the console are the
Pedal toe studs. Those marked 1-6 are presets for the Pedal division
only. There are also two couplers, one for Great to Pedal (G/P), and
Swell to Pedal (S/P). The "Forward" toe stud is to advance to the next
preset in memory. This is helpful when playing pieces which require
multiple preset registrations. Hitting this toe stud moves to the next
preset. Finally, the toe stud marked "T" is for Tutti, or full organ.
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The
Bedient
Pipe Organ Company is a relatively new kid on the block, especially
considering some organ builders have been around for over 100 years.
According to their web
page, this is the fifth Bedient pipe
organ installed in Ohio.
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Tucked away on the
left side of the console
is this list of workers who helped build the organ. This is a
nice touch by the builder, recognizing those individuals who spent many
hours putting the instrument together. Organ building is a largely
manual process, and in fact essentially needs to be put together in the
factory before it is transported and installed. |